Being able to accurately categorize your writing as middle grade, young adult, new adult, or adult is an important part of writing for your audience and preparing to query. Sometimes writers assume because a novel has a main character who is a teen, the story is YA, but that isn’t always the case, and it’s not really the character’s age that’s the main determining factor. Many thrillers deal with teens and children, and aren’t YA.
When I first started writing, I thought the MS I was working on was YA because it was about a teen, and it wasn’t really YA. It had several young adult elements, but it was a much closer match to adult fiction. So how do you tell, really, if you are writing YA, or something else?
Here are some examples of works that muddy the waters:
Dark Places by Gillian Flynn is told from two points of view, and one POV is from a boy who’s fifteen years old. Room and Extremely Loud and Incredibly Close have children as the main characters, but they’re adult fiction. The Harry Potter series is one of the most well-known examples of category confusion. The series is shelved in the children’s section because the first few books are MG. But Harry grows up, and so does the series. So, is the series middle grade, young adult, or adult?
Whether a manuscript is MG, YA, NA, or adult isn’t defined primarily by the main character’s age, although certain experiences, settings, and plots lend themselves to characters of a certain age group. Basically, it boils down to perspective.
Perspective is chiefly what makes a story young adult fiction. The lens through which the main character sees the world is what gives YA its distinctive flavor. The characters tackle adult issues, but when they do, it’s for the first time. Of course, YA can contain all the grit and reality of adult fiction, but the characters confront those things without the experience and often without the resources adults have. Of course, teens tend to go to high school, date other teens, have parents and homework. Other category tendencies are the use of first person, school as a major setting, and frustrations with parents and gaining independence. But what ties all these things together, what makes YA fiction YA, is the perspective of the characters.
To me, this perspective of facing the adult issues for the first time is what makes YA unique, and it’s why I love it. Over half the YA-buying readership is adults, and that’s probably a big reason for it. We read it and write it because YA is about change, and we all remember those years—and we don’t stop changing even as adults.
In Walking on Water, Madeleine L’Engle says:
“Only the most mature of us are able to be childlike. And to be able to be childlike involves memory; we must never forget any part of ourselves. As of this writing I am sixty-one years in chronology. But I am not an isolated, chronological numerical statistic. I am sixty-one, and I am also four, and twelve, and fifteen, and twenty-three, and thirty-one, and forty-five, and…and….and… If we lose any part of ourselves, we are thereby diminished. If I cannot be thirteen and sixty-one simultaneously, part of me has been taken away.”
It’s not about being a certain age, it’s about what it means to be that age. YA keeps that part of our lives, that unique perspective on the world, awake and healthy.
I originally wrote this post for The Thrill Begins as part of my blog tour for my book release– I wrote about 30 posts that went up on different sites over November and December, and with all that content out there, I’d like to keep it all in one place, so I’m posting it here for archiving purposes.
Reblogged this on TheKingsKidChronicles and commented:
This was helpful to me, as I thought if the main character was a young adult, facing issues common among that demographic, then the story would be YA. This clears things up for me. My 12-year old granddaughter was reading “Splintered” last year. She had already read it five times. She loved that book. I asked if I could read it. All was tell until the two teenagers got into touchy-feely scenes that probably progressed from there. The main characters were high school students. I informed her mother (who had not read the book) that I felt it was inappropriate for her age group. She agreed.
I’m glad this was helpful to you! Age of the character is a common mark of whether a story is middle grade, YA or new adult, but not always!